Elisabete M. de Sousa

Research Group: Praxis

PhD in Literary Theory, on musical criticism as a form of art in the first half of the 19th century. Member of CFUL since 2007. Former post-doctoral fellow at CFUL (2008-5). Team member in a project on Translation of Kierkegaard’s works (PTDC/FIL-FIL/100281/2008, concluded in 2013) and the recently launched Experimentation and Dissidence (PTDC/FIL-FIL/1416/2014). Her research interests and many publications cover Philosophy (focus on Kierkegaard), Aesthetics (focus on Musical Aesthetics and on relation to Ethics).

[email protected]

Selected Publications

http://www.degois.pt/visualizador/curriculum.jsp?key=2621659855773549

 

«Kierkegaard, un caleidoscopio para el presente». In Pensar la creación: Kierkegaard y las artes, ed. Darío González, Laura Llevadot e Begonya Saez Tajafuerce. ISBN: 9788491161462. Barcelona: Editorial UOC, 2015.

«Niels Klim». In Kierkegaard’s Literary Figures and Motifs, ed. Jon Stewart e Katalin Nun, 49 - 55. ISBN: 978-1-4724-4884-2. Aldershot: Ashgate, 2015.

«Musical controversies in Nietzsche and Kierkegaard». In Nietzsche and German Idealism and its Critics, ed. Katya Hay and Leonel Ribeiro dos Santos, 246 - 257. ISBN: 978-3-11-030818-1. New York: Walter De Gruyter, 2015.

«Hilarius Bogbinder». In Kierkegaard’s Pseudonyms, ed. Jon Stewart, 81 - 89. ISBN: 978-1-4724-5763-9. Aldershot: Ashgate, 2015.

“Sobre o Estético em Kierkegaard”. Philosophica no.45, April, pp. 109-126. ISSN 0872-4784

Kierkegaard, Ou-Ou. Um Fragmento de Vida. Partes I e II (2013; 2017) e Temor e Tremor(2009), Relógio d’Água. (translation of Either/Or).

Mary Wollstonecraft, Uma Vindicação dos Direitos da Mulher, Lisboa: Antígona, Editores Refractários; 368 pp. ISBN 978-972-608-301-6 (Translation).

Several essays and papers on Kierkegaard, namely on the relation of his philosophy with music and aesthetics.